Olivier Assayas

Olivier Assayas

Olivier Assayas (French: [ɔlivje asajas]; born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his eclectic filmography, consisting of slow-burning period pieces, psychological thrillers, neo-noirs, and comedies. He has directed French, Spanish, and English-language films with international casts. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for Cahiers du Cinéma. There he wrote about world cinema and its film auteurs, who later influenced his work. Assayas made several short films, and made his feature debut with Disorder in 1986. He continued directing feature films, with Cold Water (1994) considered a breakthrough film in his career. It was his first film to screen at the Cannes Film Festival in the Un Certain Regard section. His followup film, Irma Vep (1996), also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for the Palme d'Or. In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006). Assayas gained acclaim for his dramas Summer Hours (2008), Clouds of Sils Maria (2014), and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director. He also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019). Description above from the Wikipedia article Olivier Assayas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
    Known for
    Directing
    Place of birth
    Paris, France
    Birthday
    1/25/1955
… But Film Is My Mistress
… But Film Is My Mistress
Art-House America: Austin Film Society
Art-House America: Austin Film Society
Room 999
Room 999
The Cinematograph: Birth of an Art
The Cinematograph: Birth of an Art
Truffaut / Godard, scénario d'une rupture
Truffaut / Godard, scénario d'une rupture
83%
Lars Eidinger – To Be or Not To Be
Lars Eidinger – To Be or Not To Be
96%
Hitchcock/Truffaut
Hitchcock/Truffaut
96%
Flowers of Taipei: Taiwan New Cinema
Flowers of Taipei: Taiwan New Cinema
Il était une fois... « La règle du jeu »
Il était une fois... « La règle du jeu »
In the Mood for Doyle
In the Mood for Doyle
Luchino Visconti: Between Truth and Passion
Luchino Visconti: Between Truth and Passion
UNAVAILABLE
Inventory
A Special Day
A Special Day
Searching for Ingmar Bergman
Searching for Ingmar Bergman
91%
Aware, Anywhere
Aware, Anywhere
André Téchiné: A Passion for Cinema
André Téchiné: A Passion for Cinema
50%
François Truffaut: Stolen Portraits
François Truffaut: Stolen Portraits
SY NYC 12/12/01: The Demonlover Sessions
SY NYC 12/12/01: The Demonlover Sessions
Making of 'Demonlover'
Making of 'Demonlover'
Professor Goudet's Lessons
Professor Goudet's Lessons
6%
Corona Film Club
Corona Film Club
Jean-Pierre Léaud: The Child of Cinema
Jean-Pierre Léaud: The Child of Cinema
Gérard Blain : adultes, je vous hais
Gérard Blain : adultes, je vous hais
Suspended Time
Suspended Time
66%
Léaud l'unique
Léaud l'unique
36%
Being Bo Widerberg
Being Bo Widerberg
Isabelle Huppert, une vie pour jouer
Isabelle Huppert, une vie pour jouer
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PANOPTE
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